links to Poems


Potpourri,” Persimmon Tree

Painter and Model (I),” Poetry Society of America, with commentary on the poem

Keisaku Palm,” Subtropics

Game Face,” Vox Populi

First Days at the Conservancy,” Plume, with commentary on the poem

From the Roof Deck,Poetry

Night Piece,” Harvard Review

Mindfulness Training in La Jolla,” Plume

Shoe Box,” The Yale Review, Poem of the Week

Eye to Eye,” The Account

Meditation in the Open-Air Garage,” Poem-A-Day, The Academy of American Poets

My Animus Prods Me,” “Every Moment,” and “Not a Clue,” Green Mountains Review

Meditation on the Veranda,” Poem-A-Day, The Academy of American Poets

Richter Scale,” “Reverberance,” and “No News is Good News,” On the Seawall

Argument,” “Making a Case,” Connotation Press: An Online Artifact

On Being Mused Upon,” Plume

Scales,” Plume

You Have the Tools, Use Them,” Los Angeles Review

Go Figure,” Zocola Public Square

Arthritis,” Poem-A-Day, The Academy of American Poets


audio + video


Audio of ”First Days at the Conservancy,” via Plume (scroll down)

2021 International Poets & Writers Conclave Reading

“Meditation on the Veranda” and other poems: Reading at Upaya Zen Center

For a Lost Fragment” with commentary by Tracy K. Smith, The Slowdown, 2019

Arthritis,” audio recording via the Academy of American Poets, 2018

Poems from So Late, So Soon and Beauty Refracted, audio recording, Vermont Studio Center Reading Series, 2016

Poems from So Late, So Soon, audio recording, Vermont Studio Center Reading Series, 2010

Poems from So Late, So Soon, audio recording at Reed College, 2010

interviews, etc.


Interview with Sheng Yu of the University of the Chinese Academy of Sciences, translator of Go Figure and others of Moldaw’s works into Chinese, at Vesto

Interview with Carly Newfeld for KSFR’s The Last Word

Interview with Olivia Burnett, Subtropics

Review of Heard/Hoard by Atsuro Riley by Carol Moldaw, Lana Turner: A Journal of Poetry and Opinion

Interview with Tyler Mills in On the Seawall

Bad Girls: An Interview with Carol Moldaw and Abigail DeWitt at VIDA